Leaf Red

(via vimeo)

Believe it or not, we launched Groups almost exactly a year ago today. In that crazy year, we’ve seen Groups take off in ways that we could only have imagined.

Leaf Yellow

Leaf Yellow

outside the box
by joseph Pelling
Leaf Yellow Cleaning off my desktop folders.
Photographs from when Julia came to San Francisco last month.

Cleaning off my desktop folders.

Photographs from when Julia came to San Francisco last month.

Leaf Green

What should I see in New York while I am here this summer?

Leaf Orange
"It’s been raining ballsacks recently."

Leaf Yellow My Vimeo/Tumblr/Twitter/Flickr/life coach, and friend, Ben Millett knit me a scarf (the Diagonalesaur) for my birthday, last May, with yarn that he dyed himself. Thank you so much, I love it.

Please visit Ben’s page to view detailsa bout this project.

My Vimeo/Tumblr/Twitter/Flickr/life coach, and friend, Ben Millett knit me a scarf
(the Diagonalesaur) for my birthday, last May, with yarn that he dyed himself. Thank you so much, I love it.

Please visit Ben’s page to view detailsa bout this project.

Leaf Yellow Joshua Hoffine - Horror Photography
Process I stage my photo shoots like small movies, with sets, costumes, elaborate props, fog machines, and special effects make-up. I use hotlights rather than strobes because they give me better fog effects as well as a warming color shift. My images are not photoshop collages. I use photoshop to finesse details and to adjust color and contrast for printing. I use friends and family members as actors and crew. Everyone works for free. We do it for fun.StatementI love old Disney cartoons. I like the hyper-realism of animation, and the overblown production values of big Hollywood movies. I want my images to be pretty so that you’ll look at them longer. I am interested in the science of fairy tales. I want to reinvent archetypes. I embrace the Jungian power of a cliche. I think of my photographs as pieces of candy. I believe that the horror story is ultimately concerned with the imminence and randomness of death, and the implication that there is no certainty to existence. The experience of horror resides in this confrontation with uncertainty. Horror tells us that our belief in security is delusional, and that the monsters are all around us.

Joshua Hoffine - Horror Photography

Process
I stage my photo shoots like small movies, with sets, costumes, elaborate props, fog machines, and special effects make-up. I use hotlights rather than strobes because they give me better fog effects as well as a warming color shift. My images are not photoshop collages. I use photoshop to finesse details and to adjust color and contrast for printing. I use friends and family members as actors and crew. Everyone works for free. We do it for fun.

Statement
I love old Disney cartoons. I like the hyper-realism of animation, and the overblown production values of big Hollywood movies. I want my images to be pretty so that you’ll look at them longer. I am interested in the science of fairy tales. I want to reinvent archetypes. I embrace the Jungian power of a cliche. I think of my photographs as pieces of candy.

I believe that the horror story is ultimately concerned with the imminence and randomness of death, and the implication that there is no certainty to existence. The experience of horror resides in this confrontation with uncertainty. Horror tells us that our belief in security is delusional, and that the monsters are all around us.

Leaf Green

When you were younger, what did you want to be when you grow up?

I wanted to be a paleontologist, then doctor, then astronaut, then psychologist.
Leaf Yellow

I shot and edited Dan giving us a tour of Vimeo Channels!
 
Illustrations by Karen A. Designed by Elliott